He wound up having albums that sold more, or generated bigger hits, but this third Peter Gabriel album remains his masterpiece. It's the kind of record where you remember the details in the production as much as the hooks or the songs, which isn't to say that it's all surface - it's just that the surface means as much as the songs, since it articulates the emotions as well as Gabriel's cubist lyrics and impassioned voice. Each aspect of the album works, feeding off each other, creating a romantically gloomy, appealingly arty masterpiece. For the first time, Gabriel has found the sound to match his themes, plus the songs to articulate his themes. For an album so popular, it's remarkably bleak, chilly, and dark - even radio favorites like "I Don't Remember" and "Games Without Frontiers" are hardly cheerful, spiked with paranoia and suspicion, insulated in introspection. Consider its ominous opener, the controlled menace of "Intruder." He's never found such a scary sound, yet it's a sexy scare, one that is undeniably alluring, and he keeps this going throughout the record. Generally regarded as Peter Gabriel's finest record, his third eponymous album finds him coming into his own, crafting an album that's artier, stronger, more song-oriented than before.
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